Tag Casablanca

Oh, Rochester, Start The Maxwell!

We’ve got Jack Benny on the brain, mostly thanks to Mark Evanier, who has had a spate of posts about the great comedian.

Evanier has had several posts lately about trying to discern whether or not Benny made a small cameo in the classic movie “Casablanca”. This latest one looks like he might have been successful. If you look at the large version of the image, which shows the full length of the man walking behind Sam the piano player, his gait is very much like Benny’s. So much so that Jack Benny’s daughter has said that she believes it is him.

Now, this morning, Cory Doctorow has a post at Boing Boing about how CBS is blocking the release of some long-lost episodes of the Jack Benny Show from the 1950s and early 1960s. The copyright has long expired on these episodes, so they actually belong to the public domain, but CBS doesn’t want the hassle and expense of releasing them, despite impassioned pleas from Benny fan groups and the official sanction of the Benny estate. Here’s a link to the source article for the Boing Boing story, which explains many of the details and the efforts to convince CBS to release the films. This being the 21st Century and all, you can rest assured that there is a Facebook group you can join to show your support.

Dick Cavett, who occasionally blogs in the New York Times, had a recent remembrance of Jack Benny, too. In typical Cavett fashion, the story is really about himself, but told in that charmingly droll and self-effacing way that Cavett has. He is mostly skewering Tiger Woods and remarking on the price of being a public figure, and Jack Benny appears at the end to set up a hilarious punch line. Anyone who has ever read much about Benny and knows about his real personality (as opposed to the elaborate stage persona of the cheap guy) will instantly recognize the absolute truth and genuine humor of the story.

And back again to a link from Mark Evanier: a YouTube clip of Jack Benny and Mel Blanc performing the famous and hilarious “Si, Sy, Sue” sketch on an episode of the TV series. Blanc played dozens of incidental characters on the radio version of the show, and despite being a bit more limited due to his recognizable physical appearance carried a number of them over to television. THIS, my friends, is COMEDY:

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Play It Again, Sam

My single most favorite scene in any movie ever is the scene in “Casablanca” where the German officers are standing around the piano in Rick’s Cafe, singing, when Victor Laszlo and his wife, Ilsa, walk in. After a few minutes of this effrontery, Laszlo walks to the orchestra and instructs them to start playing “La Marseillaise” loudly over the German singers. The Germans try to outsing Laszlo and the orchestra, but are drowned out by all the Frenchmen in the club, who spontaneously join in. Even the jaded woman who sings in the bar joins in with her guitar, singing at the top of her lungs, a tear rolling down her cheek. “Aux armes, citroyens! Formez vos bataillons! Marchons, marchons! Qu’un sang impur abreuve nos sillons !”

It’s the only decent scene Paul Henreid has in the whole movie. Here’s this amazing, iconic, utterly classic film full of top-notch performances and memorable moments, and poor Paul Henreid, who is supposed to be a great hero, reduced to looking like so much scenery except for this one section of the film. This Christian Science Monitor article from last week says that not only did Victor Laszlo get screwed over, so did Paul Henreid for most of his film career. Overshadowed by his role in “Casablanca”, he found it hard to shake off similar roles as noble European types, with the occasional Nazi thrown in for good measure.

What’s interesting is the parallel between his own personal life and the character of Victor Laszlo: Henreid was just barely able to sneak out of Nazi Austria as the Germans tightened control after the Anschlüss. He had refused to sign a Nazi loyalty oath, and the American immigration quota for Austria was already filled. Only the fact that he was born in Trieste, which was at that time controlled by Italy, got him out. In the film, of course, Laszlo and Ilsa escape Casablanca only through the intercession of Rick, who hold two letters of transit out of Morocco.

Paul Henreid became a director working primarily in television, directing numerous episodes for various Westerns such as “Maverick” and “Bonanza”, but he continued to act into the 1970s, his last role coming in “Exorcist II”.

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