Tag Disney

Like No Business I Know

Since we started using Netflix’s streaming service a few months ago, we’ve absolutely watched the hell out of it. For a while it seemed like it might not be worthwhile because it was hard to find something all three of us would sit and watch together on the Reisenferseher, but what wound up happening is that each of us watches something individually either on the TV or, more commonly, on our laptops. So, it’s not the “bring the family together” sort of experience that “movie night” used to mean, but on any given Friday or Saturday night you are likely to find all three of us watching something completely different in three different corners of the house. Make of that what you will; we still spend time all together watching our favorite “must-see” television programs (at the moment we are eagerly anticipating the return of “The Amazing Race” on the 20th and keeping fingers crossed that the return of “Dancing With The Stars” in March is an improvement over the last run), but we have very diverging tastes and the option to NOT have to share has its merits.

(I’m also impressed that all three of us can be streaming video simultaneously without any perceived impact on the video quality for any of us. However, it makes me all the more glad that metered bandwidth hasn’t replaced “all-you-can-eat” yet. Video still consumes a lot of bandwidth, and the cable companies are gunning for Netflix.)

Lately, I’ve been watching some showbiz documentaries. I am a hardcore documentary fan in the first place, but I am also a student of the history of the entertainment industries and a lover of stories about the Golden Days of vaudeville, Hollywood, radio, television, or what have you.
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Hey Ferb, I Know What I’m Going To Post Today!

I am a total Phineas-&-Ferb-head. Well, to be totally honest, I am mostly a fan of Dr. Doofenschmirtz, but the whole Tri-State Area Universe is really right up there in my book. When Charlotte is in control of the remote, our Reisenfernseher is almost exclusively tuned to the Disney Channel or its sister network Disney XD (with the occasional flip to Nickelodeon), which means that at any given point in the day there is a 73% chance that there’s an episode of P&F on at that very moment or starting at the next half-hour mark.

Usually the cartoon series that Disney runs suck hard in comparison to the animated shows on Nickelodeon for the simple reason that Disney HATES anything funny. A show produced by/for Disney, animated or live, is contractually obligated to use Syntho-Phunnie™, a strange amalgam of predictable and pointless with a light coating of barely-amusing. But somehow the guys who create and produce P&F were able to avoid Syntho-Phunnie™ for the most part, and, as their show has gained popularity, have made a visible effort to push the humor boundary far, far beyond anything the House of Mouse has ever permitted. At the end of the day, they still play things pretty safe compared to, say, Cartoon Network, but how can you not laugh at jokes like Doofenschmirtz inventing a product called “eulg” that makes things come apart? Or the giant floating baby head?

This Fast Company post says that the Disney people are hoping to turn P&F into the next Spongebob Squarepants by overloading every imaginable retail category with tons and tons of merchandised crap. It being a Fast Company post, this is portrayed as a Really Great Thing, but we all know better, don’t we? I mean, some amount of merchandising is inevitable when it comes to pop culture products, but just think of all the unadulterated shit that has been cranked out of Chinese slave-labor factories in the last ten years plastered with that yellow fucker’s face. If they come even half as far as that, the landfills of America will be brimming with little aqua platypuses before you know it, and soon they will have destroyed THE ENTIRE TRI-STATE AREA!!! And no amount of eulg will undo all of that.

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Two Roads Diverged In A Yellow Wood

Once upon a time, there was a Disney Channel series called “Even Stevens”, which was one of the seemingly endless stream of tween-coms the Mouse has been foisting on us for years. Notable in those days for rescuing former ’80s sitcom star Donna Pescow from career oblivion, it would become the launching pad for the two child stars of the show, a boy with the unlikely name of Shia LeBoeuf and a girl named Christy Carlson Romano.

Now, we all know that there are two paths all Disney kids take. One is skyrocketing fame and fortune, propelled to astronomical heights as every 13-year-old girl in America latches on to the TV show, record albums, movies, and tons and tons of merchandising. The other is Dudsville, relegated to smaller and smaller supporting roles in lamer and lamer tween-coms, made-for-TV (or, worse, direct-to-DVD) movies, finally disappearing altogether from the House Of Mouse, usually not-so-coincidentally tied to their 18th birthday. Some Disney kids even manage to combine the worst of both paths into a blinding display of road-flare-bright burnout (LiLo, Britney), while some manage to survive the whole ordeal and turn into genuine stars (Kurt Russell, Annette Funicello). And so the same is true for those Even Stevens kids, and BuzzFeed is there to document the whole sordid tale, complete with gratuitous pictures of naked boobs..

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One Big Mouse

Here’s a blog from a family who are trying to spend one year of their lives without any influence from Disney. They’ve decided to take anything produced by a Disney-owned company out of their home, avoid watching any media produced by Disney-owned companies, and spend no money on anything made by a Disney-owned company.

You might not think that’s too difficult, but here’s the list of the television networks, cable networks, radio and television stations, movie studios, online services, periodicals, and other related businesses directly owned by Disney. It’s not completely impossible to stay away from all these entities, but it’s going to be a challenge.

This PDF shows how virtually every media outlet in the United States is controlled by one of five corporations: Disney, Viacom, Bertelsmann, TimeWarner, News Corporation, and Vivendi. Because the landscape changes so frequently, the information is now a little out of date (for example, Vivendi sold off Universal to GE, which packaged it along with NBC and sold NBC Universal to Comcast), but it still paints a disturbing picture.

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The Worst Of Both Worlds

A few thoughts on this Miley Cyrus brouhaha:

Do you suppose all those photos last week were cleverly leaked to take some of the heat off of this picture? After all, I’m sure her “people” knew that the magazine was on the stands this week, and this photo at least has the “cred” of being an honest-to-goodness photo shoot by Annie Leibovitz.

It wouldn’t surprise me a bit. Billy Ray and his teen puppet superstar daughter have quite obviously learned a lesson from the media buzz that happened last year when a nude picture of Vanessa Hudgens appeared on the Internet. The lesson was that you could survive that sort of publicity if you could make the public believe you were appropriately remorseful but still basically a good person, and Disney might not fire your ass back to Tennessee if you got out in front of the bad press. By contrast, all the wall-to-wall coverage of Brittney, Paris and Lindsay made it clear that these young women were not the least bit sorry for their skank-ass behavior and were likely to keep doing it until the money ran out, the judge put them in jail, or they were found dead in a puddle of their own vomit.

Being associated with Disney may make you a star when you are 15, but it can be an extremely hard monkey to get off your back when you are 21. Or 35. Or 60. Consider Annette Funicello or Tommy Kirk. In fact, child stardom in general is so often a curse that hangs over the life of a person that one wonders why people will even allow their children to begin working in show business. Vanessa Hudgens can claim otherwise if she wants, but her naked photos for her “boyfriend” were a shot across the bow for Disney that she could have a career without them.

Billy Ray Cyrus might be a one-hit wonder as a musician, and he couldn’t dance his way out of a paper bag, but my guess is that he’s strategized his daughter’s career a few steps ahead. They are definitely at the stage where she needs to establish “Miley Cyrus” and start downplaying “Hannah Montana”. They also have to begin looking beyond the little girls who were the initial fanbase and start making overtures to the older teen audience, who won’t go for that cutesy crap. Show a little skin, leak a few pictures that promise a lot more than they deliver, hold a press conference where the star gets to be contrite and sincere, and you’ve officially crossed the threshhold.

The Disney people know that their target demo never changes, even though the specific people in that demo grow out of it, so they are already looking beyond Miley Cyrus. At the moment they have put some effort into a girl named Selena Gomez, who actually had a small recurring role on “Hannah Montana” as a rival teen singer before being given her own sitcom. In addition to the show, she’s also on her way to becoming yet another singing teen idol thanks to Radio Disney. In fact, this Conde Nast Portfolio article talks about how Disney has decided to use the “Hanna Montana” model to clone teen star after teen star. We watch a LOT of Disney Channel in our house, and there’s absolutely no subtlety in what the House Of Mouse is up to.

Personally I don’t think this particular picture of Miley Cyrus is all that flattering. She’s only pretty to an average degree in the first place, and this picture doesn’t suit her at all. I also don’t buy into the “OMG, it’s so OFFENSIVE!” outrage, because our culture LOVES this sort of thing. We go so far out of our way to oversexualize young children that there are even tales of mothers taking their 8-year-old daughters for bikini waxing. So I call bullshit and say that this is all just so much intentional manipulation on the part of Team Miley.

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Is There In Truth No Beauty?

A trio of passings to mention.

Over the weekend, the physicist John A. Wheeler died at the age of 96. Wheeler is best remembered in our time for coining the term “black hole” in his cosmological work, though he initially disputed the idea of singularities. His writings and research in quantum physics are the background for the work being done today at sites like the Large Hadron Collider. In his earlier years, Wheeler studied with Niels Bohr, worked on the Manhattan Project, and was the mentor of another legendary physicist, the late Richard Feynman. Writing at the group science blog “Cosmic Variance”, Daniel Holz offered this personal remembrance of Wheeler, who taught him at Princeton (via).

On Wednesday it was reported that former Disney animator Ollie Johnston had passed away at the age of 95. Johnston was one of a group of senior animators who had worked with Walt Disney from the earliest days of the studio and collectively were known as “The Nine Old Men”. These men would animate and direct every animated feature film made by the Walt Disney Studio from “Snow White” in 1937 right up to “The Fox And The Hound” in 1981. Johnston himself directed “Cinderella”, “Peter Pan”, “Sleeping Beauty”, and “The Jungle Book”. He also worked as an animator on most of the other major films of the Disney Studio. Brad Bird, the animator who directed “The Incredibles” and “Ratatouille” for Pixar/Disney writes that on his very first day as a junior animator at Disney, he was assigned to the desk where Johnston had sat for all those years and who had only retired the previous Friday. He got to know Johnston, Frank Thomas, and most of the other Nine Old Men during his apprentice years at Disney, and remembers them all fondly in the article. Bird even managed to squeeze in some “cameo appearances” for Johnston: he appears as a character in both “The Iron Giant” and in “The Incredibles”.

This morning it is reported that another legendary scientist has passed away at the age of 90 — Edward Lorenz, an originator of chaos theory. Lorenz was working on predictive methods for weather systems in the early 1960s, when he noticed that even tiny variances in data plugged into his simulation programs could produce extremely large differences in outcomes. This theory is popularly explained as the “butterfly effect”: one butterfly flapping its wings can change the dynamic state of a weather system on a scale so large as to cause giant storms hundreds of miles away. His work earned him the Kyoto Prize in 1991, and he was still teaching at MIT at the time of his death.

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Copper-Heads

Engadget reported yesterday that cable provider Cox has disabled the ability to fast-forward through commercials inside video-on-demand programming from ABC and ESPN (both of which are owned by Disney, BTW).

As the Engadget post recognizes, it’s now merely a matter of time before this spreads to anything that you might choose to download and watch through your cable-provided DVR. And don’t be smug if you’re not a Cox customer, because the others will be right behind them.

Meanwhile, if you recall the brief post I had recently about “channel bonding”, I was wailing over the unlikelihood of faster broadband.

But Engadget also reported yesterday that Comcast has demoed the exact same technology. Comcast CEO Brian Roberts only went so far as to say that the modems might be available in this country in a “couple of years”, so I guess we’ll all have to hold our breaths just a little longer.

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Bear Left, Right Frog

muppets.jpg

This TV Squad post (found via Digg) speculates that Disney might bring back a new version of The Muppet Show to television in the fall. The post says that the Muppet folks have made a couple of pilots of varying concepts, none of which seem to have gotten very far with Disney. This new series would borrow from the premise of The Muppets Take Manhattan: the Muppets have split up and gone their separate ways but now are getting back together to make a new show.

As some of the commenters in the TV Squad post note, the Muppets have never recovered creatively from the death of Jim Henson. Further losses among the long-time Muppet crew — Richard Hunt, Jerry Juhl — have also been felt. The Disney acquisition a couple of years ago unquestionably saved the franchise, but the resulting things they’ve done have been lackluster or, even worse, forced in that artificial Disney way. I don’t know that a new series would ever capture the cleverness of the original show.

Still, it would be worth giving them the benefit of the doubt and seeing what happens.

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