Tag documentaries

I Would Gladly Pay You Tuesday

Filmmakers Ben Wu and David Usui have created a series of short films called “This Must Be The Place” looking at the idea of “home” from very different perspectives. One visits a Korean artist who lives in Brooklyn in apartment overflowing with collected objects he treats as cherished art objects. Another is about a back-to-the-land sort of fellow who lives in a handmade log cabin in upstate New York and makes tintype photos. And the one I’m sharing with you here is about an old-fashioned diner-style burger joint in mid-town Manhattan still going strong after almost 75 years in business, where some of the employees have been working for literally decades:

If you’re interested, the restaurant’s own website is here, and I’m pleased to see that it’s very reasonably priced, especially considering the location. There’s too many modest-to-poor joints in New York City that feel justified in charging prices and treating customers like they were in the Rainbow Room and not a coffee shop or burger joint. What’s evident, though, is that the sense of place borders on the eternal, which is a quality that has pervaded New York for a long time but is beginning to die out.

Wu and Usui have also produced other short films for clients ranging from the New York Times to MoMA to Pepsi, which you can view on the website for their production company Lost & Found Films.

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Pink Wash-Out

Proving once again that timing is everything, take a couple of minutes to watch this trailer for a new documentary called “Pink Ribbons, Inc.” that was released in Canadian theaters last Friday, in the very midst of the kerfuffle between the Susan G. Komen Foundation and Planned Parenthood.

Because this is a) a documentary and b) sponsored by the National Film Board of Canada, I don’t expect that you’ll see this at your local multiplex any time soon, but perhaps the fortuitous timing will get this booked into some smaller indie movie houses that might have otherwise not bothered. NFBC is also good about putting content online, so it might wind up on their website at some point too.

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Paul The Octopus: The Movie

Coming Soon:

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Like No Business I Know

Since we started using Netflix’s streaming service a few months ago, we’ve absolutely watched the hell out of it. For a while it seemed like it might not be worthwhile because it was hard to find something all three of us would sit and watch together on the Reisenferseher, but what wound up happening is that each of us watches something individually either on the TV or, more commonly, on our laptops. So, it’s not the “bring the family together” sort of experience that “movie night” used to mean, but on any given Friday or Saturday night you are likely to find all three of us watching something completely different in three different corners of the house. Make of that what you will; we still spend time all together watching our favorite “must-see” television programs (at the moment we are eagerly anticipating the return of “The Amazing Race” on the 20th and keeping fingers crossed that the return of “Dancing With The Stars” in March is an improvement over the last run), but we have very diverging tastes and the option to NOT have to share has its merits.

(I’m also impressed that all three of us can be streaming video simultaneously without any perceived impact on the video quality for any of us. However, it makes me all the more glad that metered bandwidth hasn’t replaced “all-you-can-eat” yet. Video still consumes a lot of bandwidth, and the cable companies are gunning for Netflix.)

Lately, I’ve been watching some showbiz documentaries. I am a hardcore documentary fan in the first place, but I am also a student of the history of the entertainment industries and a lover of stories about the Golden Days of vaudeville, Hollywood, radio, television, or what have you.
Read more

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Staring Into The Mouth Of Hell

The YouTube video above is a series of film clips shot by the late Russian filmmaker, Vladimir Shevchenko, who was allowed complete access to the Chernobyl nuclear power plant site in the days immediately following the reactor accident, which occurred 25 years ago this April 26. It is terrifying and appalling at the same time: the clips document dozens of Soviet Army troops working cleanup detail in the middle of the worst nuclear accident in history, wearing absolutely no protective gear other than surgical masks or passive respirators. In one scene, footage of men clearing debris from the roof of a building is accompanied by some broken-English titles that explain that even 40 seconds of exposure to the massive radiation in that location was enough to kill men virtually on the spot. In another, men dig tunnels and pour concrete directly underneath the reactor, wearing nothing but miners’ workclothes.

Shevchenko compiled his footage into a brief film entitled “Chernobyl: A Chronicle of Difficult Weeks”, which was immediately suppressed by the Soviet government for over a year after the accident. In that time, Shevchenko himself succumbed to radiation poisoning, as he, too, had no protective gear and was exposed to the same lethal levels of radiation. Other than these scenes, which apparently were not included in the final cut, the film is not available online but can be purchased on DVD.

The entire region of Pripyat has been sealed off from the world for the last quarter-century, although trespassers have explored the area and have shared countless haunting photographs of the abandoned towns and villages. There was also a later documentary made in 1999 (a trailer is also on YouTube here). Now it is possible to book day tours to the region, including a visit to Reactor #4, where the accident occurred — the website says lunch is included in the excursion, but hastens to add that the food comes from outside the Chernobyl region. Bring your own dosimeter.

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A Puppet, A Pauper, A Pirate, A Poet, A Pawn And A King

Regular readers will know that I am a particular fan of Michael Apted’s “Seven Up” documentary film series that has followed the lives of a collection of English school children from the age of seven in 1964 until the present time, visiting them once every seven years. So I was instantly drawn in by this article by Joshua Wolf Shenk in the latest issue of The Atlantic, which chronicles a longitudinal study begun at Harvard in the early 1940s to follow a number of undergraduates throughout their entire lives to see if the keys to a life of happiness and fulfillment could be quantified.

The Grant Study, so titled because its original funding sponsor was the department store magnate W. T Grant, carefully selected undergraduates who were judged to be “normal”, “well-adjusted”, and likely to live long, happy, successful lives. Two hundred and sixty-eight students were selected, among them the young John F. Kennedy, and for over 70 years they have been periodically contacted to follow the events of their lives, analyzed for health and physical condition, and occasionally written about in books and scholarly journals. The subjects have had their anonymity protected for all these years except in cases where they publicly identified themselves (such as journalist Ben Bradlee), or, in the case of JFK, where it was no longer possible to disguise his identity.

A complaint that a number of the subjects in Apted’s films have made over the years is that he has seemed to jump to conclusions about the paths of their lives, or has passed judgment on their choices in life, but when I read this article I could only find myself thinking how little Apted projected onto his subjects compared to the enormous set of assumptions and judgments imposed on the subjects of the Grant Study. After all, we are talking about the quintessential generation of “Harvard Men” who were taken into the university to be shaped and molded into leaders, hardened in the crucible of the Second World War, and handed the reins of the entire world for half a century. Surely these men would be the Best and the Brightest the world could ever offer, and of course their lives would unfold smoothly and naturally into profound happiness, fulfillment, and serve as paragons that everyone could emulate to live a long, happy, successful life. No pressure there at all.

While many of the men in the study did indeed go on to lives of wealth and power, what comes out of the narratives that have been written is that there IS no single path, no eluctible set of behaviors, characteristics, or experiences that can guarantee a golden road from start to finish. Men who were expected to excel in life turned to drink, failed to achieve successful relationships, never lived up to their potential. Others who were less assuming sometimes achieved personal happiness but never attained status in their working lives. A few even got the whole magilla — fame, riches, love — only to be plagued with self-doubt at the end of their lives as to what good it all was for.

The article is absolutely fascinating if you’re at all interested in stuff like this. Very little has ever been divulged publicly about the study other than one book by the study’s present director, George Vaillant (who is also profiled in depth in the Atlantic article). Now, though, as the remaining subjects are reaching the ends of their lives, the study is headed for its conclusion, and with luck there will be more information released and much more written about the study.

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Your Documentaries, Please!

Two newish websites for those of you who, like me, are documentary film fans.

The first is from the august National Film Board of Canada. Anyone knowledgable about documentary film at all will immediately know the importance of the NFBC in funding and promoting documentary filmmaking since the 1940s. So you will definitely want to explore this new beta site that lets you watch full-length films from their archives online. And not just documentaries, there are also animated films (some of the best short subject animations ever have been NFBC films) and short dramatic films. Presently there are over 400 films you can view, including this 1941 film which was the first documentary to ever win an Academy Award, the experimental animations of Norman McLaren, and some curated compilations of various films about life in Canada. Hours and hours of stuff to watch. (via)

The second is also a beta site. It’s called SnagFilms, and not only can you watch their selection of 225 documentaries (most of them very recent films), you can also embed the films on any website using a widget they supply (rather like the way you can embed YouTube clips). Their catalog includes National Geographic documentaries, NOVA episodes from PBS, some ABC News documentaries, and lots of indie films. Here, for example, is a film called “Paper Clips”, about a group of children who collected 6 million paper clips as a project to help them understand the extent of the Holocaust.:

Embedded video isn’t all that new at this stage, but the idea of helping to garner attention for documentary films that often get little public notice is very appealing.

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Some Sci-Tech Links

More link dumpage:

MSNBC reports that the Discovery Channel says it has remastered all of the NASA film footage from the Mercury, Gemini and Apollo space flights in high-definition video, and that NASA will make the videos available to the public for free at its archives. The story doesn’t say whether that includes online access, but the films have been incorporated into a six-hour series that will run on the Discovery Channel in June, so get your TiVo ready.

Contrary to popular belief, people do not use only 10% of their brains (unless, of course, they are Republicans). PsyBlog, a British blog about topics in psychology, offers this list of Top Ten Brain Myths that most of us have at one time or another heard and/or accepted as fact. You might be surprised at one or two of them.

eSkeptic, the website of Skeptic Magazine, has this feature article from environmental engineering expert Dr. Tapio Schneider entitled “How We Know Global Warming Is Real”. Recommend this to your disbelieving right-wing friends and associates, but don’t expect them to pay much attention because it includes things like facts and figures that most of them think are “pretend”.

Concerned about the proliferation of RFID tags in everything from passports to grocery packaging? I am. Luckily, the always-enterprising folks at Instructables.com have devised a fool-proof method for neutralizing RFID tags: smash them with a hammer. It causes the least-visible cosmetic damage to those flat RFIDs that are in your passport or on your credit card, so that The Man won’t tase you, bro when he thinks you’ve tampered with it.

Geeks everywhere are limbering up their salivary glands for the expected release of the 3G iPhone in June, but the suits at Research In Motion (R.I.M.), which makes the Blackberry (the favorite toy of gadget-head biz-wizzes everywhere), are none too pleased. This NYT article from a couple of weeks ago explains how Steverino has decided to aim for the enterprise market, and how his Reality Distortion Field may be strong enough to push the Crackberry out of the briefcase of every road warrior in America.

Lastly, joe of the eponymous bookofjoe.com tells us that those crazy youngsters have figured out another totally cool thing you can do with Google Maps and “smart mobs”: find stolen cars faster than Lojack.

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Eight Belles

The story of Eight Belles, the race horse who broke her ankles immediately after finishing second in the Kentucky Derby on Saturday and was euthanized, was unquestionably tragic. We watched the race, but I left the room as soon as the winner crossed the finish line, so I did not see the accident or the other action on the track, but Bridget and Charlotte did. Bridget and I just recently saw a documentary film about the 2006 Kentucky Derby called “The First Saturday In May”, which was a fascinating look at the men who train the horses. 2006 was, of course, the year that the winner of the Derby, Barbaro, was injured at the Preakness and eventually had to be euthanized. We might not have bothered to watch the race at all had we not seen the documentary. After it was all over, Charlotte came downstairs to the kitchen to tell me what happened, her voice tinged with sadness. We explained to her about how such massive animals are still so fragile and how much suffering the horse would have, but I don’t know how completely she comprehended that.

Anyway, this New York Times article today looks at the events from a completely different angle: did the NBC producers covering the Kentucky Derby screw up on covering the breaking news aspect of Eight Belles’ injury in favor of the pre-determined switch to covering the activities at the Winner’s Circle. The Times writer says yes they did screw up to some extent by minimizing the horse’s collapse, but the NBC producers justify their decisions (big surprise), saying that they didn’t have an isolated camera on Eight Belles to catch the moment of her fall, that it took time to get a field camera on the track, and that they did not know how serious the situation was under the circumstances. They point out that when Barbaro was hurt in ’06, he walked off the track despite the serious injury.

I’m going with the NBC producers on this, I think. They couldn’t adequately determine the situation, couldn’t get a camera in place quickly enough to clarify, and in the confusion of producing a live broadcast, it’s understandable to go with the less-complicated, pre-determined coverage of the Winner’s Circle. The reporter also chides NBC for not being more aggressive in questioning the jockey of Big Brown, the winning horse, as to whether he thought his horse was spooked by Eight Belles’ fall (the jockey, Kent Desormeaux, was thrown by Big Brown after crossing the finish line). Guilty as charged on that account, I think.

It’s an interesting sidebar to a really sad outcome. Best of luck to Big Brown in the Preakness.

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Recommended Viewing

If your local PBS station carries the excellent documentary film program “Independent Lens”, be sure to watch the film “King Corn”, which begins airing nationally this week. Here in the Boston area, it will be on Channel 44 at 3:00 a.m. on Thursday (don’t complain, that’s what TiVo is for) and again on Sunday, April 27 at 9:30 p.m.

Starting with the premise of two friends who plant an acre of corn, the film traces the path of corn crops in America from the farm through the entire economy and the enormous impact that corn has on our entire way of life: its effects on our health from the widespread use of HFCS, its effects on our environment as the basis for most ethanol production, its effect on our economy through farm subsidies, and more. Just as Eric Schlosser’s book “Fast Food Nation” woke up millions of people several years ago to the huge impact the fast food industry has, so does this film do the same for corn.

The airing of this film comes at a critical time as food shortages are beginning to have a serious impact on the lives of millions upon millions of people all over the world. The government of Haiti was overthrown over the weekend due to increasing public turmoil over the unavailability of basic food supplies. Last year, food riots in Mexico resulted over the steep increase in the price of tortillas due to corn crops being diverted to the production of ethanol to sell in the United States. Increased grain prices are blamed for recent rioting in Yemen. All told, rioting related to food shortages has occurred in 37 countries in the last twelve months, and in many cases the diversion of crops to the production of biofuels is one of the underlying causes.

Are we really going to starve the world so we can keep sucking down gallons of soda while we drive around in our SUVs? Looks like it.

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