Tag film history

Able Was I Ere I Saw Elba

One of the greatest epics of the silent film era, the legendary “Napoléon”, directed by Abel Gance, has been completely restored to its full 6-hour, 3-screen-wide glory by the film historian Kevin Brownlow and will be shown at a series of special events hosted by the San Francisco Silent Film Festival next year, complete with a live performance by the Oakland East Bay Symphony of a new score . This is not the first time Brownlow has done a restoration of the film: his first attempt in 1980 was completed just before Gance’s death and was followed by additional restorations as more footage was found.

Here’s the trailer for the SFSFF event:

EmailStumbleUponRedditFacebookTwitterGoogle+Share

Related Posts:

Call Me…Rosebud

The premiere of Orson Welles’ masterpiece “Citizen Kane” was held 70 years ago this month, and Mubi.com editor David Hudson posted this article about the film’s enduring appeal and ever-growing prestige, and curating a whole slew of links to other articles about the film, it’s history and legacy, and even contemporary comparisons to recent films like “The Social Network”. If you take a moment to check out the link, also be sure to read the comments for a few additional links suggested by the commenters.

EmailStumbleUponRedditFacebookTwitterGoogle+Share

Related Posts:

Can I Get A Credit For Watching Every Episode Of “Meerkat Manor”?

Internet smartypants guy Tim Carmody has come up with a really cool idea: he developed a sort of “intro to film” viewing list of classic films from titles available on Netflix’s instant streaming service. As he says in the post, he wasn’t trying to make an exhaustive list, nor was he aiming for any sort of “best of” list; instead, he took the challenge as though he were putting together a course syllabus, picking films that were significant to the evolution of film from the earliest narrative films up through the “Silver Age” of the 1970s. It’s not a groundbreaking list of movies, it’s very much the stuff you’d find in any undergrad intro to film class: all the way from “Battleship Potemkin” to “Scarface”. Nevertheless, it’s a good demonstration of how to use the power of having a massive library of films instantly available via the Internet. Several of the commenters in the post point out that an unintended side effect of this list is to demonstrate the weaknesses of Netflix’s library, namely the absence of huge swaths of films like classic musicals, Hitchcock, or film noir, but if you compare Netflix to the anemic catalogs of the on-demand services from the cable providers, it’s still pretty deep.

You could do a lot worse than to work your way through the films on his list if you wanted to develop a better appreciation for cinema, and you could undoubtedly find other titles that would be just as illustrative if you chose — he deliberately limited himself to seeing what he could throw together in half an hour’s worth of searching.

EmailStumbleUponRedditFacebookTwitterGoogle+Share

Related Posts:

Holiday Weekend Reading List

If you’re looking for some quiet time spent reading this holiday weekend, here are a few recommendations:

The Library of Congress has an immense collection of film-related resources dating back to the very beginning of the medium in the late 19th century, but has had to fight an ongoing battle to preserve, restore, and archive materials that are subject to physical deterioration in a way that other media are not. The supervisor of the LOC’s Film Preservation Laboratory, Ken Weissman, wrote this article for Creative COW Magazine about their work and the challenges, both technical and curatorial, of preserving over a century’s worth of film history.

The Bavarian town of Oberammergau has been staging a Passion Play every ten years since the 17th Century. This Der Speigel article focuses on the conflict between the play’s current director, an Oberammergau native who went on to become a leading theater director in Germany, and some of the townspeople as they clash over issues of modernity vs tradition. Among the contentious issues: removing anti-semitic content from the play (What? German Catholic anti-semitism? Unpossible!) and allowing non-Catholics and non-Germans to appear in the play (What? Racism? In Germany? No wai!). Hey, who is this guy, HITLER? (complete with special guest appearance by Papa Ratzi himself!)

Speaking of Hitler…well, sort of…this article from conservative mag City Journal by Judith Miller (yes, THAT Judith Miller) details the use of biological weapons by Japan during their invasion and occupation of China up to and during the Second World War. Like the heinous “research” done by Joseph Mengele in Hitler’s concentration camps, the Japanese Army’s Unit 731 used hundreds of innocent Chinese peasants as guinea pigs to test human physiological response to weaponized biological agents; the lucky peasants were murdered once the “research” was done, but many have lived for decades with the results. The U.S. and Soviet Union downplayed these particular atrocities, since they both benefitted from information from captured Japanese scientists for their own biological warfare efforts, but now there is an effort to create a memorial to the Chinese people victimized during the war by preserving the place where much of it happened, not unlike the preservation of Auschwitz as a World Heritage Site.

And, because you’ll need something a little more uplifting after THAT, here’s a good article at WFMU’s “Beware of the Blog” that chronicles the long career of Betty White. I, for one, don’t really care for the current Betty White meme; it’s twee and insincere in my opinion and smacks of the effort by people on the Internet to seem earnest-yet-secretly-ironic. Nevertheless, Betty White has been around FOREVER, and she’s one of those celebrities who didn’t seem to be famous for anything in particular except being a celebrity for a very long time (really, until she joined the Mary Tyler Moore show). This article covers how she got that way in the first place.

EmailStumbleUponRedditFacebookTwitterGoogle+Share

Related Posts:

Remembering A Genius

At the end, he was a joke. A mockery of himself, drunkenly slurring through commercial pitches for stupid things like cheap wine and frozen peas. And yet he had been so talented, so brilliant that at the beginning people were ready to pronounce that the very stage and screen themselves would never see anything as magnificent as his work ever again.

I have a pair of links that tell stories about Orson Welles that might help to mitigate the pathetic persona that defines him now, both of which brim with the promise that he might have brought his formidable talents to the medium of television the same way he did to film, radio, and stage.

This one appeared at Gizmodo back in December ’09. In it, the author, Frank Beacham (himself a movie producer, playwright, and writer) recalls a series of encounters with Welles in the mid-1980s, not long before his death in 1985, as Welles became obsessed with producing a film using the then-new half-inch videotape technology developed by Sony — the BetaCam. Beacham talks about Welles pushing the very limits of the technology, presaging many of the advances that would come to video in just a few years. His sudden death ended the project, but gave Beacham the inspiration to complete another unfinished Welles project, a film about Welles’s Broadway musical “The Cradle Will Rock”, on which he was the executive producer.

Also from last December, a much longer and more scholarly piece from media writer Ben Walters posted on Columbia University’s Teacher’s College website that rewinds the clock all the way back to the early days of television itself and looks at his 1953 production of “The Fountain Of Youth”, his involvement with Lucille Ball and Desi Arnaz and their production company, Desilu, and how the business of network television, even in the 1950s, had no place for someone as disruptively creative as Welles.

If you have the time to read Ben Walters’s piece (it’s much longer than most web writing normally is), it is a brilliant bit of biography, history, and media criticism rolled into one. It would be wonderful if the Internet would be more open to revisiting Welles as a genuine artist and let the cheap jokes slide, but that might be asking a bit much of the gnat’s-life attention span of the online world.

EmailStumbleUponRedditFacebookTwitterGoogle+Share

Related Posts:

All Original Content Copyright © BrianKaneOnline
All Other Content Copyright © Its Original Authors

Built on Notes Blog Core
Powered by WordPress

Switch to our mobile site