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When Bluetooth was originally conceived back in the late 1990s, it was expected that the most likely use of the technology would be for small peripherals like keyboards and mice as a way to eliminate cable spaghetti on the desktop. But early Bluetooth devices weren’t very good, and so the technology lost out to IR and low-power RF on the desktop. The niche that Bluetooth finally won was the mobile phone headset. But maybe Bluetooth has one more shot at being the preferred protocol for keyboards and mice: chipmaker Broadcom has devised a Bluetooth chipset that uses such little electricity that a keyboard could run on a single pair of AA batteries for 10 years.

The average downstream speed for broadband connections in the United States is a paltry 3.9 Mbps, but earlier this year ARRIS, one of the companies that provides cable modems to the broadband service providers, demonstrated a fiber optic node that was capable of up to 4.5 Gbps throughput. The demo was intended to show off the capacity of the fiber network more than any particular device, but it’s nice to dream of a day when American broadband might not come through a beanblower.

Tangentially related, one of the reasons broadband providers might want to be able to offer all that bandwidth is because of the steady drain of cable television customers to all-online video. Contributing to that process: set-top box maker Boxee is rolling out an HDTV broadcast signal receiver that plugs into their box as a dongle, allowing customers to pick up all their local television station HD signals over the air and view them through the Boxee device. Until the day comes that local stations shrivel up and blow away, having access to them will continue to be a significant plus for cable TV. Frankly, though, this Boxee thing really just makes me all the more curious to see if the rumored Apple Television will really happen.

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Riesenfernsehers! Get Yer Red Hot Riesenfernsehers HEEYAH!

If you are one of those anti-colonial Kenyan secret-Muslim Hitler-lovin’ terroristic types who hate American freedoms so much that you haven’t spent your last remaining unemployment check on a big screen TV, here’s your chance to redeem yourself and FIGHT FOR FREEDOM! CNN Money reports that prices on LCD televisions are crashing through the floor due to a dramatic oversupply in the screens. The handy infographic in the article shows that the average price of a 32-inch LCD television has dropped from over $1500 in 2005 to a measly $374 today, and prices might yet go down a little more as retailers try to get buyers in the door if holiday sales look slow.

The price crash won’t be permanent as the supply chain evens out, although the long-term reduction of price for LCD sets is. So if you miss out on a deal now, it’s not like you’ll be spending anywhere near the 2005 price. If you look at the linked article, you should also see an ad box on the right side of the page showing comparative prices for other flat-screen TVs, and it’s interesting to note that screens larger than 40 inches are still holding on to that magical $2000 price point, especially if they are plasma or LED instead of the cheaper LCD technology. I also note with some amusement that my own personal reaction to the graph was that a 32-inch television doesn’t seem all that big any more, so no wonder they’re so cheap.

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Know Your Riesenferseher

A pair of posts with loads of techno-babble…er…useful information about the myths and realities of HDTV displays:

This CrunchGear post offers an excellent backgrounder on just how digital television in general, and HDTV in particular, actually works, and why you shouldn’t believe the hype about resolution numbers (hint: it’s the same reason that megahertz in PC processors and megapixels in digital cameras aren’t meaningful either). In fact, as the writer points out, some sets foisted on the public as “high-definition” actually look worse than standard definition TV because of these bogus specs.

This Maximum PC post eschews the background info to focus on the actual features on HDTV displays such as contrast ratio, color depth, and lag to explains what you should be looking for when shopping for your reisenfernseher and what to ignore.

And here’s a bonus link: how to calibrate your big-ass TV once you get the thing home. Best Buy and other big-box electronics stores just love to tack on another $150-200 for the privilege of sending one of their “highly-trained technicians” to “professionally calibrate” your set, but it’s easy enough for anyone to do.

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One Brainless Tool-Using Species Replaces Another

You may have already seen this video of an octopus dragging a coconut shell across the sea floor to make use of it as a shield from predators. Now comes word that Our Cephalopod Overlords are after our big-screen TVs, too.

And, of course, you already know about the porn. don’t look at that link at work, kids!

Our days as the dominant species are numbered.

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Linkapalooza – Media News

Yesterday was supposed to be the Day Analog Died — after almost 30 years of wrangling over every imagin’head endable aspect of changing the American television broadcast standard from NTSC analog to high-definition digital, February 17, 2009 was the day the FCC had set for the discontinuation of analog over-the-air transmission. Given the lengthy lead-up time, there seemed to be little to forestall the switchover; over 124 million households in the U.S. are able to get cable television service (that’s virtually every household in the country) and the cable service providers had already been obliged to manage the signal conversion in their “head end” facilities so that people did not have to replace their televisions with digital sets, even though vast numbers of people had done so anyway. The over-the-air conversion would only apply to the small number of households without cable (or satellite) AND without a digital TV — no more than a couple of million by most estimates.

And yet the broadcast lobby and the big electronics manufacturers, some of whom also just happen to own television AND cable networks and service providers, managed to convince the incoming Obama Administration that they had screwed up their own efforts to get those last holdouts to obtain the necessary converter boxes, and so managed to buy SIX MORE MONTHS. Who knows for what reason, since it’s hard to imagine a single legitimate need on the broadcasters’ part, and since actually making the switchover would utterly compel people to get their converters or lose the ability to watch TV. But there you have it.

In fact, there were enough broadcasters ready to pull the switch yesterday that last week almost 500 television stations asked the FCC for permission to go ahead and do it anyway. Of those, the FCC gave the green light to over 360 stations. There are just over 1600 stations in the country, so that’s 22% of all the TV stations.’.

At Mother Jones today, writer Stephanie Mencimer says “Throw The Switch Already”, elaborating on the cost to the taxpayer of delaying the switchover for six more months (would you believe three-quarters of a billion dollars?!?!), and the politics-as-usual influence peddling involved in getting the Obama Administration to go along with something rather short of “change you can believe in.”

Last week it looked like Sirius-XM Satellite Radio was not going to make it. All the media news outlets were saying that the company, not even a full year into the merger of Sirius and XM, would have to file for bankruptcy and undergo some serious cuts to stay in business entirely. At the very last minute, though, Liberty Media agreed yesterday to a half-a-billion-dollar loan to keep Sirius-XM operational in return for a 40% equity stake in the company. That makes Liberty Media the controlling shareholder. It appears that Liberty Media really only stands to benefit by folding some of the programming into services offered by their DirectTV satellite business (i.e. radio channels bundled along with your television package) and selling off the rest. That is likely to happen pretty quickly, given the deteriorating situation at Sirius XM, so my bet is that within six months DirectTV will include the most-popular radio channels and everything else will be gone.

The EU has called for all cell phone makers to standardize on a single connector and charger to reduce the sheer volume of electronic gadget waste generated by having to replace all one’s chargers and other gear when moving from one cell phone to another. If you have even seen those photos of the tens of thousands of cell phones than end up in landfills each year , you should be able to appreciate the scope of the problem. Not surprisingly, the cell phone makers are pushing back with the easily anticipated response that there are too many different kinds of connectors, power requirements, and batteries to make such a thing feasible, to which the EU have countered with “not my problem”. For now, it is just a request and not a regulation, but the EU wastes a lot less time with these sorts of rules compared to the US. It’s pretty unlikely the US would get on board with this, either, since our government always does what’s best for businesses, and this would be seen as hurting the companies who make all this crap rather than as a step in the direction of reducing toxic waste. Le sigh.

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Antipodean Cephalopodia

The Sydney Morning Herald reports that a marine biologist at Macquarie University has just published the findings of her research into octopi and claims that octopi prefer watching videos on HDTV over regular-definition PAL televisions. She says that the vision of octopi is so sophisticated that the 24-frames-per-second refresh rate of regular TV probably registers as just a series of still images, while the faster refresh rate of HDTV caused the test subjects to pay attention and react to things being shown in the video such as a moving crab or a bottle on a string.

Further, the researcher, Renata Pronk, claims that octopi do not have distinct personalities. This conclusion is based on her observation that octopi do not react consistently to stimuli.

Coincidentall, approximately 97% of all Australian men also prefer HDTV and have no distinct personality. In her follow-up research, Pronk will also study affinity for footie and beer.

Meanwhile, over next door in New Zealand, the Museum of New Zealand (or Te Papa Tongarewa for you Maori blokes) has a special exhibit about colossal squid based on that 2007 expedition which resulted in the capture of the first intact (but still dead) colossal squid (which you may recall from the Discovery Channel’s documentary this summer). You can see video footage of the examination of the squid, and then you can design your very own computer-generated squid and play with him in an online habitat full of other user-generated virtual squids.

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Linkapalooza – Media News

The more I use my iPod Touch, the more I am in love with it as the portable computer gizmo I have always wanted. At this point, I’d have to say I don’t feel the need to even think about looking at the increasing number of sub-notebooks and “netbooks” flooding the market. I might, however, step up to the bigger 32GB model that was recently introduced. There are only two things about it that really need to be addressed: the lack of ability to do cut-copy-paste operations, and the lack of a Flash plugin for the Safari browser. And it’s not just me; these are the two biggest complaints of just about every singly iPhone and iTouch user.

One looks like it’s about to be remedied: earlier this week Adobe announced that they had a Flash plugin all ready to go, just as soon as Apple would give its okay. There have been some valid technical reasons to hold off on allowing a Flash plugin, primarily the issue of memory resources, but there have also been some bogus (but typical) “you have to do things OUR way” foot-stamping fits of pique from Apple that were getting in the way. From the reports of the way Adobe casually mentioned the plugin, it seems likely that they’ve solved the memory issue, but not Apple’s stubborn approach to platform issues. Nevertheless, I think they’re likely to stop being petulant and let the plugin drop because Flash has become so used (indeed overused) as a primary website engine.

There’s no excuse for not having cut-copy-paste, though.

Oh, and could you Mozilla guys get off the stick and make some sort of Firefox browser for the iPhone. I realize Apple will NEVER allow a competing browser on the App Store, but we all know there are plenty of ways around that.

One of the coolest things about HDTV is how much dimensionality the higher-definition resolution brings to the images. Watching broadcast television on an HDTV, the difference between traditional NTSC and high-definition is stunning. It’s a crying shame that so much television programming continues to be shot in standard-def video even as more and more people are buying HDTV sets. Even with that increased dimensionality, though, there are still people who want nothing less than “real” 3D (which, of course, is pointless as long as you have a flat screen), and people are working on 3D imaging technology for HDTV monitors.

Engadget says that JVC Victor and the Japanese National Institute of Information and Communications Technology are working together to develop 3D imaging on a 72-inch display, and recently Philips demoed a 56-inch 3D display. Both systems work without the red-blue filter “glasses” that everybody remembers from old Hollywood 3D movies and those 3D posters you used to get in “Dynomite!” magazine. And that’s very good news for me personally; I have a big blind spot in the front of my left eye that makes it impossible for me to see 3D images using those red-blue glasses. There are other filter-based systems that do work for me (like these polarized filters), but they’ve always been far less common than the red-blue ones, and who wants to have to wear any kind of special glasses just to watch some television anyway?

Portable Peoplemeter

The Arbitron ratings service introduced little handheld versions of their infamous “people meters” earlier this year to be used for measuring radio audiences. It hasn’t been entirely welcome, especially from minority broadcasters, but it had a pretty successful test run last year and is now rolling out to all the major markets. Meanwhile, media mogul Mel Karmazin (and how do you like THAT alliteration?), who is the CEO of the newly-merged XM Sirius Satellite Radio, recently told AdAge that he wants to completely re-do the way radio ratings are collected and used so that his service can be included in the ratings…and, of course, to work in his favor in that regard. He’s not making a lot of headway, not the least because he admits he has “no idea” how to do that.

NBC pegged a lot of its hopes for raking in big bucks from the Beijing Olympics on its online offerings. People complained that the prime-time broadcast network coverage was too limited (and it was), but for people who watch video on their computers, laptops, and mobile phones the amount and scope of the coverage was practically limitless. You did, of course, have to pay for that content, and you did have to choke down Microsoft’s “Silverlight” media plugin, but after that you could watch all the fencing, synchronized swimming, and race walking you could stand. NewTeeVee.com reports that while 90% of the total viewership still came in via regular television, they managed 6.5 million viewers via WAP (mobile phones), 7.5 million on their primary website, and 6.7 million for video-on-demand (cable and Internet). In the end, though, NBC just barely made a profit on the Olympics — they spent around a billion dollars to cover the Olympics, and made just over a billion in profit. Heck, Michael Phelps can fart and make a billion dollars.

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Let’s Get Digital

Dangerous Intersection contributor Dan Klarmann is in that very small group of Americans who a) still have an analog television set and 2) uses rabbit ears for reception. That makes him one of the people who needs to actually do something about the upcoming digital switchover of all television signals in the United State next February.

After a bit of chiding from Congress, the FCC has been making more effort to educate people about this changeover, and the Department of Commerce has been running a coupon program that would let people like Dan get $40 off the price of a converter box they will need to receive digital broadcast signals. (If you need one of these coupons, you’re too late. The coupon program ended March 31.)

Today, at Dangerous Intersection, Dan tells us about his experience with installing the converter and some of the downsides that he has experienced. Most notably, if you also have a VCR that relies on over-the-air signals to record TV shows, you’ll need a converter box for that as well, since VCRs have their own tuners. He’s also not happy with the letterbox display format that HD programs use and the inconsistency of screen ratios. That’s actually a beef I have since we bought our big-screen HDTV right after Christmas — you quickly discover that even the stations that are in HD have a lot of non-HD content (I’m looking at you, Channel 7), and that the screen ratios jump all over the place, especially during commercial breaks. My gripe should disappear in February when everything goes HD, but his won’t until he buys a new TV. Which, he says, he might not be willing to do. In fact, he might give up watching TV altogether.

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Television Past, Present, And Future

Test Pattern

Television’s Past: Anyone who has studied the history of television recognizes the name Philo T. Farnsworth. Farnsworth invented the first all-electronic television camera and receiver system but spent so much time embroiled in patent lawsuits with David Sarnoff’s RCA that he was never able to capitalize on his work, while RCA’s technology (using a similar system invented by Vladimir Zworykin) would go on to become the standard. Later on, Farnsworth ended up selling his patents to RCA and became a forgotten figure, working on nuclear fusion technology.

Well doesn’t that sound like a cheery idea for a big Broadway show? Yeah, me neither, but there you have it. In fact, “Vidiot” (aptly enough) went to see it recently and says it’s better than the NYT review would have you think. The play was written by Aaron Sorkin, whom you might recognize as the executive producer of “The West Wing”, and stars Hank Azaria (better known for his many roles on “The Simpsons”) as David Sarnoff and little-known TV actor Jimmi Simpson as Farnsworth.

Television’s Present: Would you believe that nearly 40% of Americans still do not know that we are converting all broadcast television to the HDTV standard in January of 2009? I don’t know how anybody can be unaware, since it seems like every other TV commercial right now is about some high-def video technology, but then people still think Iraq is responsible for 9/11. The General Accounting Office (you know the only guys in the federal government who know what the fuck they’re doing) released a report recently that takes the FCC to task for not doing a better job of overseeing public information efforts about the changeover and about the subsidy program that has been created that will provide a rebate for the very small percentage of American television viewers who ONLY receive over-the-air signals to buy converter boxes for their existing analog TV sets. This is getting a lot of news media attention this week, though it’s not really too big of a deal — the number of homes with only over-the-air reception is miniscule, and even if the general public is unaware, they won’t have to do anything about it until they have to replace their TV sets, because the cable companies were forced to make their systems downwardly compatible.

Television’s Future: Going off in a totally different direction for this last link, you might be interested in listening to this podcast, which is a recording of one set of presentations at MIT’s recent Communications Forum, which focused on shifting the model of television viewing from a passive activity to an engaged one, as brilliantly exemplified by the NBC series “Heroes”. Heroes makes extensive use of the Internet, comic books, fan groups, and other participatory elements to enhance and expand the narrative content of the series and is a showcase for how TV producers might use multi-media approaches to producing content. “Heroes” clearly owes a huge debt to the world of “Star Trek” fandom, which practically invented fan engagement in the 1970s and has been widely emulated. (It’s no accident that all those “Star Trek” actors and references keep popping up on the show).

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