Tag music

At Last, At First

The passing of Etta James last week came with the inevitable plethora of clips of her most-famous hit, “At Last”. That song would top out at #47 on Billboard’s Hot 100 list in 1960, despite going to #2 on the R&B charts, which is emblematic of her entire career: hugely popular in the circumscribed world of R&B music in the ’60s and ’70s, receiving only occasional attention from mainstream music. But the song itself has a much different origin.

“At Last” was written to be used in a Hollywood musical called “Sun Valley Serenade” starring Olympic figure skater turned actress Sonja Henie and featuring big band leader Glenn Miller and his orchestra. Miller’s band recorded the song, only to have it cut out of the final film. It was recycled in 1942 for another film called “Orchestra Wives”, this time starring Ann Rutherford and George Montgomery. Here is the song as it appeared in that movie, played again by the Glenn Miller Orchestra, and sung by Ray Eberle and Pat Friday:

The dreamy, romantic quality of the song is very different than the triumphant wail of Etta James, especially as it is sung by a duet. But the tune also really flows well with the big band arrangement of sax and trombones, leading up to a trumpet solo. In fact, the vocal doesn’t even begin until about 2 minutes into the number and takes a back seat to the trumpet.

I think I still like the iconic version as performed by Etta on the 1960 version better, but knowing the provenance of the tune is worthwhile. Here’s the one we’ve all heard a lot of lately. It’s still a great tune, and it’s good that Etta James got the recognition she genuinely deserved, even if it came late.

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The Vienna Vegetable Orchestra

I have a bone to pick with my friend Mig. How is it that we have gone all these years, mein freund, and you’ve never told me about the Vienna Vegetable Orchestra? It’s not like they’re exactly something new, they’ve been around since 1998, making music with fresh vegetables, and then feeding their audiences with soup made from the instruments! FOR REAL!

First the Arschbar, now this. What other strange things are you hiding there in Mitteleuropa, eh? Start talking!

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Hey Paula

Here’s one of my most favorite oldies tunes, “Hey Paula”, from the one-hit-wonder duo “Paul and Paula”. It was Number One for three weeks in early 1963, just six months before I was born, and stayed on the charts for almost four months. Even though I’ve loved this song ever since I first started listening to oldies music in college, this clip is the only time I’ve ever seen Ray Hildebrand and Jill Jackson perform. It’s a simply terrible lip-synch job, but it was fun to see them anyway.

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Remembering Cesária Évora

The singer Cesária Évora passed away a couple of weeks ago. She came to popularity globally in the early 1990s and had one big hit album in the U.S. self-titled “Cesária” in the mid-90s. She came from Cape Verde and sang a particular style of music from her homeland called “morna”, which is sung in a local dialect that is part Portuguese and part West African. The music is sad and soulful. I used to listen to that album on my very first MP3 player years ago along with the Buena Vista Social Club album.

Boston has a large Cape Verdean immigrant community, and this Paris Review piece by Harvard grad student and native Cape Verdean Janine de Novais is an interesting remembrance of Evora, her music, and the culture of Cape Verde as seen from a insider. There’s also a YouTube clip at that link of Évora singing “Sodade”, probably the song she was best known for in the U.S.

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Somebody Call Jake And Elwood

Chicago Tribune music critic Howard Reich writes about the recent passing of blues guitar legend Hubert Sumlin as just the latest in a string of passings of legendary Chicago bluesmen. The tradition of Chicago blues is dying out along with those old men, Reich says, and there aren’t a lot of younger musicians taking up where they are leaving off.

Being a sheltered white boy from Maine, I didn’t know anything about the blues when I actually LIVED in Chicago, so I can’t even share a story of the time I saw Pinetop Perkins or something. Well, actually, I did *almost* see Pinetop Perkins years later, but not in Chicago; it was in Portland, Maine, as a matter of fact, and he was supposed to play at one of the venues for Portland’s New Years Eve celebration, but he missed the gig because of the weather. So there you go. A few years after that, once we had moved to Massachusetts, I began listening to “Blues After Hours” on WGBH radio on Saturday nights, which always opened with a special tune created just for the show by Pinetop Perkins, so he and I eventually caught up with one another. I spent many Saturday nights playing Civ until the wee hours and listening to the great artists of blues music, not just from Chicago but St. Louis and Kansas City and the Mississippi Delta and everywhere else. That phase ended not long after Charlotte was born, when the host of the radio show, Mai Cramer, passed away. The show lingered on for a few more years with another host. WGBH pulled the plug on it in ’07, but I had moved on anyway. These days I don’t need to listen to the blues, because I got ‘em myself.

Here’s a video clip of Howlin’ Wolf, Hubert Sumlin, and Willie Dixon playing “Smokestack Lightning” back in 1964, just so you know what you’ve been missing:

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Cue The Bollywood Musical Number!

I have had this song in my music collection for several years: Jaan Pehechan Ho. It’s from a 1960s Bollywood movie, but became popular in the West when it was used in the cult-hit movie “Ghost World” about a decade ago, and has turned up again in one of those retro-looking Heineken ads. Recently, some blog I follow, probably Dangerous Minds, turned up the original number from the movie Gumnaam on YouTube. The clip is cool in the way that only 1960s movies could be yet uniquely Indian, and clearly inspired the Heineken ad. Enjoy.

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Shadow Of Time

For many years, one of my favorite Celtic-folk musical groups has been Nightnoise. The group performed together for about a dozen years from the mid-1980s until 1997 and was comprised of Irish trad musician Mícheál Ó’Dómhnaill and American folk musician Billy Oskay, Ó’Dómhnaill’s sister Tríona (who did vocals) and flautist Brian Dunning. They became popular in America during the heyday of the Windham Hill record label, but their mixture of jazz, folk and Celtic transcended the “New Age” rep that came to be associated with Windham Hill artists. My friend Tony introduced them to me way back when, and I have all of their albums.

Even though I loved their music 20-odd years ago and still love it now, I actually probably have not listened to them in a number of years. As usual, I blame the Internet. The Internet has introduced me to so much more music than I ever would have expected, and as I started discovering all sorts of other artists, I guess the ones I was already deeply familiar with kind of got left behind like a child’s old toys.

I was reminded of all this today by this post by Erich Vieth at Dangerous Intersection. He’s got links to a bunch of YouTube videos of some of their best-known songs, and the featured one is an actual concert video. Here’s one he did not include but is one of my favorite Nightnoise songs, “Shadow of Time”:

According to Wikipedia, the group officially disbanded in 2003, even though they had stopped recording before then, and Mícheál Ó’Dómhnaill died of a fall in 2006.

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Oh, Baby How I Love Your Legs

Yesterday, love was such an easy game to play. Now I need a place to hide away. Oh, I believe in yesterday.

Here’s Paul McCartney and Paul McCartney singing “Yesterday” together, 45 years apart. If you have headphones, you’ll hear the sound split up so you can compare the difference:

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Sam And Janet Who?

Ladies and gentlemen, the incomparable Ezio Pinza and Mary Martin from a live television performance of “South Pacific”.

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A Trio Of Music Videos

As I was hanging out online Saturday evening, I kept bumping into all kinds of excellent music clips, and after I had listened to a handful, I figured there was probably a post in it.

This first one features a cellist named Zoë Keating. You might have heard this recent piece about her on NPR’s “All Things Considered”. She uses a computer to sample and loop bits and pieces of music as she plays them, and then layers the elements into complex compositions as you see in the video. She’s not the only artist I’ve ever seen who does this; years ago, Bridget and I went to see the folk artist Christine Lavin in concert, and she had the same setup and used it live on stage. But on to the video:

This next one is actually not much to look at. In fact, there is no visual at all. Sometimes people make YouTube “videos” for songs by clipping together some random images, album cover art, whatever they can find, but this clip just features a black screen with the name of the artist and the title of the song. Which is okay, because it’s a great song. It’s a song from “The Music Man” called “The Sadder But Wiser Girl”, and it is sung by, get this, Seth MacFarlane, the guy who writes and produces “Family Guy”. He recently released an album of American Songbook tunes in the vocal style of singers like Frank Sinatra called “Music Is Better Than Words”. And you know how much I love crooners and old standards. Again, I have to give credit to NPR for turning me on to this; I happened to tune into “Fresh Air” last week, and he was on the show plugging the record. So, close your eyes and imagine Stewie from Family Guy as you listen to this song:

And our third clip is from a group called DeVotchKa. Unlike the last clip, you might actually like watching this video, as I did. It’s all video shot at night from a moving car, so it has a sleepy/creepy vibe to it that goes along very well with the song, “How It Ends”. I found the clip via MetaFilter, but am led to believe that the beginning of this particular song is used a lot as one of those musical bumpers in between stories on NPR, and it looks like they get featured on various NPR shows quite a bit, so I guess it’s an NPR trifecta post.

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