Tag television

Random Links

Yeah, one of those posts.

For my birthday back in August, Bridget and Charlotte bought me an Apple TV. You’ve probably read that Saint Steverino of Cupertino considered Apple TV merely a hobby, mainly because what he was really after was a way to reinvent the whole television, not just some box to deliver iTunes. Fast Company says that apparently His Holiness was on the verge of something Insanely Great, but now that he has gone to live in The Cloud, can his minions left here on Earth be trusted not to fuck it up? (Oh, and we really like the little Apple TV hobby box, but I don’t know if I would buy an Apple television set).

Continuing with the shtick of tying these links to my personal life, last week I took Charlotte to the pediatrician for her annual flu shot. Well, not a shot, actually. She gets the nasal version of the vaccine, which is one syringe-ful of vaccine up each nostril, like shotgunning Flonase. Flu shots are a crapshoot — the CDC or the WHO, or some other three-letter-organization tries to guess which flu will be The Big One each spring so they can start making vaccine to have ready in the fall, and they don’t alway guess right. On top of which, the vaccines are effective for as little as 30% of the people who get them. But now researchers are closing in on an all-purpose flu vaccine that would eliminate the guesswork and be more effective to boot.

Okay, can I do this one more time? Let’s see. If you are one of the people who stalk me on Facebook, you might remember that a couple of weekends ago we took Charlotte for her first dim sum brunch in Chinatown. She tried almost everything, including one tiny, reluctant bite of the chicken feet (which were utterly delicious). Now that she has reached the ripe old age of 10, we can take her to more interesting restaurants than we could when she was wee. She LOVES pho, enjoyed her Australian meat pie at KO Catering in South Boston, chowed down on smoky shredded chicken with cayenne at Sichuan Gourmet, and loved the Korean tacos at Gogi in Portland. What this all means is that we bascially NEVER have to eat at chain restaurants anymore unless we are desperate. I could go the rest of my limited days on Earth without ever stepping foot again in a Chili’s, Applebee’s, or TGI Friday’s. So I am not exactly heartbroken to read that the Great Recession Mark II is killing them all off.

Hey, whaddya know? It worked!

EmailStumbleUponRedditFacebookTwitterGoogle+Share

Related Posts:

Aaaaaaannnnndddd….CUT!

Since 2009, the three major manufacturers of professional movie cameras — ARRI, Panavision, and Aaton — have phased out production of new cameras as HD video cameras have started to dominate television production and are more frequently becoming the choice for motion picture productions. This article at CreativeCOW, an online magazine for film/video production professionals, details the shift away from film, which really began all the way back in the 1970s. The shift has picked up momentum in the last decade with the arrival of high-definition video and the improvements in digital editing technology. Though video replaced film in news production back in the 1980s, now the use of film for shooting prime-time television has nearly disappeared as well. The switch to video for motion pictures is accelerating in no small part due to the explosion in digital projection systems in movie theaters: by 2013, according to the article, every movie screen in the American theater chains will be digital.

This article also considers some of the side effects of switching: issues between SAG (which only governs work done on film) and AFTRA (the performers’ union for television production), the economic viability of Kodak and Fuji (the last two remaining producers of film stock), and even such wild cards as the Sendai earthquake, which disrupted the supply of HD videotape for months.

EmailStumbleUponRedditFacebookTwitterGoogle+Share

Related Posts:

Rolling Back The Reboot

So there’s a new Star Trek television series in development. According to the linked article, it’s set in the original Trek universe, not J.J. Abram’s version, and takes place after the TNG/DS9/Voyager timeframe. To the delight of merchandisers everywhere, there will, of course, be all new ships, uniforms, and gadgets to be turned into toys, costumes, models, and other convention dealer floor effluvia. And CBS, which presently has the rights to all the other Trek TV properties, sounds interested.

Has it really been six years since “Enterprise” was mercifully put out of its misery? At that point in time, I doubt there was a Trekker anywhere who would have disagreed with the assertion that the franchise needed some time out to refresh, and if it’s been long enough to be able to forget “Enterprise”, it’s been long enough to try again. As much fun as it was to see Kirk and Spock re-imagined in the ’09 film, it’s also reassuring that the new producers are sticking with established canon. It sounds like they’re thinking through the whole premise, too, which might help rescue the dramatic quality of the show from the ad-hoc method of formula episodic television. I could go for a Trek show that borrowed from the successful BSG reboot.

EmailStumbleUponRedditFacebookTwitterGoogle+Share

Related Posts:

Can It Be That It Was All So Simple Then?

Speaking to us from 1980, NBC News correspondent Fred Briggs tells us about The Amazing World Of Television in The Year 2000!

EmailStumbleUponRedditFacebookTwitterGoogle+Share

Related Posts:

They Call It A Medium Because It Isn’t Rare And Is Seldom Well-Done

So I’m still thinking about the possibility of dumping cable television and going all-Internet for our video watching. The poll I posted last week is open until the 15th if you care to add your vote, and the results so far are identical to that 1-in-8 statistic I cited, so it’s clear that the early-adopter penalty is still in effect if I go down that road, but the path seems clearer all the time.

I came across this article in The Economist that considers the difference between the way people say they watch television and the way they actually watch television, and concludes that sixty years of plopping your butt down and watching whatever is on continues to be everyone’s preferred method, regardless of how much you might honestly think you do it differently. The reason, say the various experts in the story, is not our unwillingness to learn how to program the VCR/TiVo/BitTorrent software but rather because we’ve adopted television viewing as the canvas for our interpersonal interaction with family members. The programming isn’t even the point, it’s the opportunity to spend time with the wife and kids. While the implication here is that people won’t change the way the interact with video content, I’m not so sure that’s true. If the delivery mechanism is not the most important element in that system, it shouldn’t take much to make a change to the delivery mechanism, as long as it is not too disruptive of the real desired outcome (the human interaction). Drawing again on the example of our experience with Netflix streaming, on many Saturday mornings, I sit with Charlotte in the living room and spend time with her while she watches cartoons. Last Saturday, we sat together as usual, but instead of watching whatever was on Disney Channel at the moment, Charlotte watched a couple of movies via Netflix, and when she got bored with that we moved on to some things I had recorded on the DVR. We were still watching the television and using the time to be together, but the delivery mechanism had been completely supplanted by the on-demand model.

This BoingBoing post by guest author Craig Engler (who is an executive at the SyFy Channel), argues that prognosticators who say television is being killed by the Internet have several key points wrong, the biggest one being that most (but not all) online video content is still the sole purview of the traditional television model: without the broadcast and cable networks, there is no content, and to this point nobody has developed a business model that can sustain the cost of producing content without the well-established business of ad-supported traditional television. Unlike the Economist article, Engler’s article says that the mechanism is very important, but it’s at a level of remove from the viewer. However, both articles basically make the same point that the overall system is nowhere near as transformed as the people at the top end of the J-curve would like us to think.

But maybe ten years from now, the generational shift alone might swing the balance of that equation. This short article by analyst Henry Blodget links to a much more detailed analysis of the media consumption of children aged 8-18, which paints a picture of a near future with a new generation of young adults so thoroughly media-saturated that they could very well transcend all of the media behaviors that have come before.

EmailStumbleUponRedditFacebookTwitterGoogle+Share

Related Posts:

Television Past, Present, And Future

Test Pattern

Television’s Past: Anyone who has studied the history of television recognizes the name Philo T. Farnsworth. Farnsworth invented the first all-electronic television camera and receiver system but spent so much time embroiled in patent lawsuits with David Sarnoff’s RCA that he was never able to capitalize on his work, while RCA’s technology (using a similar system invented by Vladimir Zworykin) would go on to become the standard. Later on, Farnsworth ended up selling his patents to RCA and became a forgotten figure, working on nuclear fusion technology.

Well doesn’t that sound like a cheery idea for a big Broadway show? Yeah, me neither, but there you have it. In fact, “Vidiot” (aptly enough) went to see it recently and says it’s better than the NYT review would have you think. The play was written by Aaron Sorkin, whom you might recognize as the executive producer of “The West Wing”, and stars Hank Azaria (better known for his many roles on “The Simpsons”) as David Sarnoff and little-known TV actor Jimmi Simpson as Farnsworth.

Television’s Present: Would you believe that nearly 40% of Americans still do not know that we are converting all broadcast television to the HDTV standard in January of 2009? I don’t know how anybody can be unaware, since it seems like every other TV commercial right now is about some high-def video technology, but then people still think Iraq is responsible for 9/11. The General Accounting Office (you know the only guys in the federal government who know what the fuck they’re doing) released a report recently that takes the FCC to task for not doing a better job of overseeing public information efforts about the changeover and about the subsidy program that has been created that will provide a rebate for the very small percentage of American television viewers who ONLY receive over-the-air signals to buy converter boxes for their existing analog TV sets. This is getting a lot of news media attention this week, though it’s not really too big of a deal — the number of homes with only over-the-air reception is miniscule, and even if the general public is unaware, they won’t have to do anything about it until they have to replace their TV sets, because the cable companies were forced to make their systems downwardly compatible.

Television’s Future: Going off in a totally different direction for this last link, you might be interested in listening to this podcast, which is a recording of one set of presentations at MIT’s recent Communications Forum, which focused on shifting the model of television viewing from a passive activity to an engaged one, as brilliantly exemplified by the NBC series “Heroes”. Heroes makes extensive use of the Internet, comic books, fan groups, and other participatory elements to enhance and expand the narrative content of the series and is a showcase for how TV producers might use multi-media approaches to producing content. “Heroes” clearly owes a huge debt to the world of “Star Trek” fandom, which practically invented fan engagement in the 1970s and has been widely emulated. (It’s no accident that all those “Star Trek” actors and references keep popping up on the show).

EmailStumbleUponRedditFacebookTwitterGoogle+Share

Related Posts:

All Original Content Copyright © BrianKaneOnline
All Other Content Copyright © Its Original Authors

Built on Notes Blog Core
Powered by WordPress

Switch to our mobile site